The end of Phase one
Times up
Its been 3 months since i set out on this journey and after the trials and tribulations I believe that things are starting to make sense.After countless drafts of proposals and learning agreements It’s finally finished.I think this aspect of the PGC stage was most challenging but since competition i feel a real sence of an achievement .When i began, I had no specific target audience, i was unsure of my final aim.After weeks of struggling though dry patches I feel like im finally getting somewhere.Before i started the MA I was less than confident about my research skills but i now firmly believe that i will achieve the goals i have set for myself.Looking back at my bibliography i cant believe just how much information ive taken in within the space of two months.Im thoughorly looking forward to getting stuck into the practical work.
My current research has now fixed me on the path of visual communication in editorial illustration.My most recent eureka moment was during and after the content/context illustration seminar in sheffield.It really helped me clarify and define parts of my rationale.I will be visiting london in the few weeks to visit some relevent exhibitions I hope to see Peter Davies: The Epoch of Perpetual Happiness and The Object of the Attack.I really wanted to see ann exhibition in the James Hockey & Foyer Galleries in Farnham which is open till 12th december but unfortunately it will not be possible due to limited time and funds.
Over Christmas I plan to shake of this cold and catch up on some research.Over the last few weeks I’ve began to update my blog and shift my research notes onto the journal.I started the journal quite late in the term.I found the concept quite alien as ive never had to or felt the desire to blog before.I found it a little difficult to get into but I’m now getting into the flow of things and i’d like to have transferred as mush data as i can over the christmas break.That way when i begin the PGD Phase everything should be a little easier to access and hopefully a lot more organised.I cant wait to get stuck in to the visual work in next term .I have spent so much time trying to get my head around the different elements of visual language I’ve hardly had any time to do what feels most natural to me, drawing.Its seemed as if everything was against it in the last few weeks.When I thought i was getting somewhere with my research i’d hit another dead-end, or i would find myself spending hours staring at the learning agreement template trying to absorb research notes or get my head around Powerpoint and presentation ettique.Writting does not come naturally to me .Or at least the learning agreement didnt . I have come to realise that I might have been making things too complicated for myself .I am now learning to take a step back from the research when it begins to swallow me whole and have found new ways to deal with the creative walls i seem to keep hitting when i indulge in too many books at once.Irit Rognoff said in Academy as Potentiality (http://summit.kein.org/node/191)
“Meaning is never produced in isolation…but rather through intricate webs of connectedness”
and I second that motion. The mind fog clears during lectures ,seminars,exhibitions and chance meetings with other visual practitioners.At least now I know when to do when creative block strikes. Which is exactly what Neil Cresswell said in his lecture,
“you can only analyse the mistakes you’ve made to make progress”
19/11/09.Neil Cresswell.Illustrator
I have a lot to organise over the next few weeks, regarding interviews for my research in the PGD Phase and a few personal matters to deal with too.Unfortunatly Ma commitments and the work load have had a few repercussions as ive put everything but research on hold.Hopefully i’ll be able to change appointments and begin to sort out the mess in the next few weeks.Im really looking forward to starting afresh in the PGD phase too.I felt like I was constantly trying to catch up in this phase, as in the first two months of term I had a three-day week retail job,which caused conflicts with the course dates and then conflicts with the job.Needless to say it was a very difficult couple of months and I had to leave.I have a lot of respect for anyone else who’s juggling a job and a MA. It’s very difficult having to deal with the pressure from both sides . Commitments also affected artistic opportunities as I had to turn down a cooperative residency in france and cancel a scheduled treatment on the NHS due to a late change of the timetable.Im glad that we will have more flexible timetable next year to dedicate to furthering our research how we see fit. I hope there are no other conflicting dates.
As difficult as some parts of the year have been,Ive really enjoyed it so far.I have especially enjoyed working within my tutorial groups.Everyone always has something to say constructive about each others work and we often meet up outside lectures to discuss our progress and make helpful suggestions.
I have noticed an improvement in my presentation skills,im taking more precise and relevent notes during lectures and have started to develope a deeper understanding of my approach to study ,how to correct inconsistencies and deal with mental and creative bloaks.I have also gained confidence within my writing skills within these last few months.I really enjoyed the writing workshop at the start of term and i credit some growth in my writing abilities to the blog.Looking back at the technical skills we had to rate in the skills and development plan I now doubt that i will improve in illustrator as I will have little use for it during the year,I may prove myself wrong next year but for now at least should i decided to improve my digital illustration skills it will be with Photoshop.
Filed under: Uncategorized
Illustration Content/Context Conference
Thursday 3 December, 11am – 5pm
We are also hosting a conference – ‘Illustration Content/Context’ – on Thursday 3 December from 11am-5pm at Sheffield Hallam University Student Union Hubs Building/Hub C. The event is free of charge but places are limited so please book by e-mail with contact details to p.bowman@shu.ac.uk.
For this event we have brought together three venerable speakers to further this debate. Andrew Foster and Simon Spilsbury are practicing illustrators who both have a strong desire for an authorial output. Both are represented by our third speaker illustration agent and managing Director of Central Illustration Agency, (CIA), Ben Cox.
Event outline – ‘What is the role of authorial practice amongst illustrators in determining the possible contextual use of their output within the wider remit of visual communication?’
There has never been a more abundant time for the potential applications for illustration. Creative outputs now include collectable designer toys, fashion products, animation etc.
Many illustrators today will simply not wait for markets to emerge but actively pursue an authorial output beyond the constraints of often legislative established publishing houses and retail outlets. Instead they choose to break free from this constraint self-publishing fanzines and magazines; launching own-label products, such as fashion items, T shirts, badges, flick books and stickers; and promoting self initiated limited edition artworks through the use of online websites and more traditional gallery shows.
The three main aims of the conference will be
- how does authorial practice determine content?
- how has online publishing changed the role of the illustrator. Author, art director, producer, designer, distributor etc?
- the role of the commissioner/art director/ artists agent in furthering the contextual use of illustrative outcomes
http://www.shu.ac.uk/art/gallery/
This day was amazingly helpful and really helped me to clarify my aims and objectives in the learning agreement.
“the conveyance of ideas and information in forms that can be read or viewed” – Derby university (http://www.derby.ac.uk/visual-communication)
Tuesday 1st December
Meeting with Douglas
After my meeting with Douglas I feel I have even more to do before monday .My work load seems to be increasing compared to other class mates who seem to be floating toward our PGC assessments.For now the increasing reading list will have to wait whilst i reorganise my presentation, rewrite the learning agreement and attend the content/context seminar in Sheffield tomorrow.The timing of the seminar is unfortunate but I cannot ignore its relevance to my subject matter.
Filed under: Creative Inventory
Peter Davies: The Epoch of Perpetual Happiness
13. Nov – 17. Jan 10 / The Approach E2
http://www.theapproach.co.uk/exhibitions/peter-davies-artists-name/
VJ Moreton: The Theatre of the Naked Eye
7 October – 12 December 2009
James Hockey & Foyer Galleries, UCA Farnham
http://www.ucreative.ac.uk/index.cfm?articleid=24665
The Object of the Attack
2 October – 19 December 2009
Filed under: Links
http://www.visual-literacy.org/periodic_table/periodic_table.html#
http://www.designhistory.org/index.html
http://www.citrinitas.com/history_of_viscom/modernists.html
http://www.illustrationmundo.com/askapro.php
http://www.bls.gov/oco/ocos092.htm
http://www.elkadesigns.com/resources/Semiot_Cogn_Process.pdf
Filed under: MA Journey
Steve’s lecture on methods and methodologies was very helpful as per usual.I consider NOW a god send as I sometimes find some lectures can be a little too much for me to take in at once so its great to be able to refer back to them online.
I was really looking forward to thursday afternoons lecture, finally an illustrator! Neal’s brutally honest approach to his experiences in the industry were quite helpful. It was relieving to hear that someone else was terrified at contacting art directors at first. I felt that Neal’s view of the industry seamed a little downbeat at times but I have full confidence in myself as an illustrator and my choice of career and by trying different approaches and moving between different areas of illustration I can avoid the “illustrations just a job” syndrome.I was disappointed with some of the advice that Neal gave to the students about reference material. I believe that it might have confused people who are unaware of the boundaries of copyright and image theft. I was surprised at how open people can be about recycling images.
Filed under: Uncategorized
http://www.ellsworthkelly.org/
Filed under: Bibliography
Persuasive Imagery : A Consumer Responce Perspective ,Linda M.Scott,Rajeev Batra,2003
Visual communication: images with messages , Paul Martin Lester
Designing effective communications creating contexts for clarity and meaning , jorge frascara
Reading images the grammar of visual design, gunther kress leo van leeuwen
What do pictures want? the lives and loves of images by W.J.T.Mitchell
Visual research an introduction to research methodologies in graphic design by ian noble, russell bestley
Handbook of visual communication research theory, methods, and media by ken smith
Visual communication (e journel)
Handbook of visual analysis , theo van leeuwen and carey jewitt
Visual language the hidden medium of communication , peter bonnici
Semiology of Graphics: Diagrams, Networks, Maps ,Jacques Bertin
Media semiotics: an introduction , Jonathan Bignell
Filed under: Tasks
(http://www.aoiportfolios.com/artist/timbarden/index.shtml)
Background
This is an editorial illustration by Tim Barden for an article titled “Mans best friend” about the Male contraceptive pill in Intelligent Life Magazine.
Audience
I believe the audience for this editorial piece based on the magazine would be a predominantly male audience based in the UK and Europe between the ages of 25-45 style conscious business man with a general interest in style and culture.
Executional guidelines
This image was creating with hand drawn illustrations then coloured and textured in a digital illustration program such as Photoshop /illustrator. The use of pink and blue represent the female and masculine elements, the peach fleshy tone represents the human form and the use of pipes symbolises the male reproductive system. These particular colours are often found in sexual education books, leaflets and fliers.
Research processes
- Read the brief/article
- Research the target audience
- Consider previous works created by illustrators and designers for editorials in this magazine
Design processes
- Read brief/article and highlight important areas of text
- Start illustrating ideas in thumbnail form
- Narrow down to final 3 possible ideas and compare to text in appropriate size
- Choose final idea –rough draft – send to client
- Work with final draft and client feed back to create final image
- Check against brief /article/clients comments
- Finish How might these processes relate to your own research?
These process fully relate to my research as I will be using elements from both the research and design processes listed to help create my own briefs after analysis of previous works to fully understand my subject area.
